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2026 Commercial Lighting Rebate Outlook by Craig DiLouie

William Attardi on April 17, 2026

The commercial lighting rebate outlook is strong for 2026, with widely available rebates covering all popular categories of LED lighting and lighting controls, including networked lighting controls. Overall, 2026 marks a year of evolution for programs as they adapt to declining lighting energy savings due to LED market saturation. Average rebate amounts per LED product significantly increased, particularly for higher-energy-saving products. Some programs are shifting from incentivizing products to energy savings. More programs recognizing LED-to-LED upgrades were introduced. On the lighting controls side, average rebate dollars per installed solution generally increased in 2026. As AI infrastructure/data centers and meta projects continue to come online, rising demand for electric power is leading to cost increases. This article evaluates the 2026 commercial lighting rebate outlook based on data provided by BriteSwitch’s RebatePro for Lighting North America database, examines opportunities for LED lighting and lighting controls, and offers insights into how rebate programs are evolving as LED adoption increases. 2026 Commercial Lighting Rebate Outlook

Seeking Standardization: Open Systems Are Becoming More Relevant by Craig DiLouie

William Attardi on March 13, 2026

As lighting systems evolve from simple illumination devices into connected infrastructure, the industry is placing more emphasis on open, interoperable standards. While many control platforms still rely on proprietary hardware and software, open standards are becoming increasingly relevant. A significant player in standards is Zhaga-D4i (zD4i). It combines a standardized plug-in interface for sensors and communication modules with a common digital language for data exchange. For electrical contractors, this framework can simplify installation, improve upgradability and create new opportunities for offering connected lighting solutions. To address this, Zhaga introduced Book 18 in 2018. Now in its fourth edition (released in 2025), Book 18 defines how a smart node physically attaches to an outdoor LED luminaire, receives power and exchanges digital information with the driver. In effect, Book 18 serves as the socket standard for modern connected outdoor lighting. Around the same time, the DALI Alliance expanded its DALI-2 standard to better support internet of things (IoT) and luminaire-level control. With Zhaga’s Book 18 managing the physical and electrical interface and the DALI Alliance’s D4i managing the digital handshake, the two organizations partnered to create the zD4i product certification. Seeking Standardization: Open systems are becoming more relevant | Craig DiLouie – Electrical Contractor Magazine

NEMA Academy to Reshape Industry Education by Craig DiLouie

William Attardi on April 12, 2025

For 25 years, the Lighting Controls Association, a council of the National Electrical Manufacturers Association (NEMA), has educated the building industry about lighting control technology and application, notably through its Education Express courses. The organization is proud to announce that starting May 1, 2025, the Education Express curriculum will be incorporated into a new learning management system, NEMA Academy. The new platform will feature an improved website, a comprehensive learning platform, and access to a broad and growing curriculum covering lighting controls in addition to other topics, from lighting to safety to emergency preparedness. NEMA Academy to Reshape Industry Education

 

Lighting Revolution in Two Graphs: LED Distribution In Residential And Commercial Applications by Craig DiLouie

William Attardi on January 15, 2025

As the LED revolution achieves increasing adoption, a recent report by the Department of Energy illuminates the growth. Published in April 2024, the “2020 U.S. Lighting Market Characterization” https://tinyurl.com/3fczwe9s estimates technology distribution among the U.S. installed base of units (lamps/luminaires), along with energy consumption. Residential sector: Let’s start with the residential lighting sector, where an estimated 6.5 billion units are installed, accounting for 80% of lighting installations. LED was the most popular light source in 2020 with 3.1 billion units installed or 48% of the total, nearly 50% less energy than in 2015.  Commercial buildings: In the commercial building sector, with its estimated 1.6 billion installed units, we see a similarly striking snapshot of LED earning virtual parity with other light sources. In 2020, LED reached an overall share of 48% of the installed base and a rough parity with fluorescent, nearly 30% less energy than 2015 and 57% less than 2001. Again, LED adoption is today the majority light source in commercial buildings.  Lighting Revolution in Two Graphs: LED distribution in residential and commercial applications – Electrical Contractor Magazine

TRAINING: How to Design a Lighting Control System by C. Webster Marsh and Craig DiLouie

William Attardi on December 31, 2024

Based on EE105: Lighting Control System Design, a new course in the Lighting Controls Association’s Education Express program provides detailed information about designing an effective lighting control solution. In Part 1 of this Lighting Controls System Design series, we learned about key documentation including the Content Intent Narrative (CIN), Sequence of Operations (SOO), and Owner Project Requirements (OPR). The next step in design development in Part 2, is to turn these requirements and conceptual design into a realized design. In Part 3 of this series on how to design a lighting control system, we will discuss installation and post-occupancy. You will learn about bidding, responding to questions from installers, reviewing submittals and defending your design, following-through with the installation of the equipment, functional testing, training essential staff, and ultimately ensuring the owner is satisfied. How to Design a Lighting Control System

The Statue of Liberty was made with copper but due to oxidation, it turned green.

When the “Lady in the Harbor” first arrived in New York in 1886, she didn’t look like the mint-green icon we know today. In fact, for the first twenty years of her life, she stood as a towering, metallic beacon of reddish-gold. Designed by French sculptor Frédéric Auguste Bartholdi and engineered by Alexandre Gustave Eiffel, the statue was a gift from France to America. To build her, Bartholdi chose copper for three practical reasons:

  • Malleability:It could be hammered into elaborate, thin sheets.
  • Weight:Copper is lighter than stone or bronze, making it easier to ship 350 individual pieces across the Atlantic.
  • Durability:It was strong enough to survive a 27-day ocean voyage and the harsh winds of the harbor.

When she was unveiled on October 28, 1886, her skin—made of 300 copper sheets roughly the thickness of two pennies—shone with a bright, metallic brown luster. The transformation from “penny-colored” to “patina-green” wasn’t planned. Bartholdi actually expected the statue to age into a deeper, darker red. However, the unique environment of New York Harbor—a mix of salt air, moisture, and industrial pollution—triggered a process called oxidation.

The Timeline of Change:

  1. 1886–1900:The bright copper dulled into a dark, muddy brown.
  2. 1903:The first hints of a light green crust, or “patina,” began to appear.
  3. 1906:The color change was so controversial that Congress nearly stepped in. They appropriated $62,000 to paint the statue back to its original color, but the public protested, calling the idea “sacrilege.”
  4. 1910–1920:The statue was a patchy mix of brown and green until 1920, when the oxidation was complete, leaving her entirely teal.

While we now view the green color as iconic, it actually serves a vital structural purpose. The layer of verdigris (the green patina) acts as a protective shield. It seals the copper underneath, preventing the metal from further corrosion and weathering.  By the time the color fully changed, a new generation of immigrants had arrived in America seeing a green statue.