Learners Live

Did you Know?
Menu

Final Version of DesignLights Consortium’s New Technical Requirements for LED Lighting Released

William Attardi on November 4, 2025

The SSL V6.0 and LUNA V2.0 Technical Requirements are now combined in a single set of technical requirements and scheduled to take effect in January.

Key updates to SSL V6.0 include:

  • A major revision to the DLC Premium product classification for luminaires with higher efficacy thresholds and more rigorous requirements for controllability, expanding the classification to further enable incentives for advanced controls and integrated building systems.
  • Provisions to drive wider adoption of controls through compatibility-based product selection from the SSL and Networked Lighting Controls (NLC) QPLs.
  • Expanded SSL QPL eligibility to support sustainability, lighting innovation and flexible installation practices.
  • Clear criteria and improved documentation for manufacturers and specifiers.

Overall, the new technical requirements for LED lighting maintain an average increased efficacy threshold across all DLC qualified product types of 14 percent (with some product efficacy increases as high as 19 percent). At the same time, recognizing that efficacy must accompany quality to support long-term energy savings and user satisfaction, SSL V6.0 includes efficacy allowances for products that meet higher quality of light thresholds in terms of features such color rendition and glare control. Full details of SSL V6.0 and LUNA V2.0 are available the DLC’s website 

DesignLights Consortium Opens Comment Period for Second Draft of Technical Requirements for LED Lighting: SSL V6.0 & LUNA V2.0

William Attardi on July 28, 2025

The DesignLights Consortium (DLC) today released the second draft of major updates to its Solid-State Lighting (SSL) technical requirements for indoor and outdoor non-residential LED lighting, as well as revisions to LUNA, a dark sky solution. Draft 2 will have a six-week comment period through September 5.  Reviewers can provide feedback via email to comments@designlights.org using the comment form. The final policy will be released in early November. Other changes in Draft 2 reflect feedback the DLC received from stakeholders relative to clarifying various aspects of the technical requirements. These changes are meant to streamline the qualification process for manufacturers while advancing the essential goals of SSL V6.0 and LUNA V2.0. Full details of all proposed revisions are available on the DLC’s website.

The Statue of Liberty was made with copper but due to oxidation, it turned green.

When the “Lady in the Harbor” first arrived in New York in 1886, she didn’t look like the mint-green icon we know today. In fact, for the first twenty years of her life, she stood as a towering, metallic beacon of reddish-gold. Designed by French sculptor Frédéric Auguste Bartholdi and engineered by Alexandre Gustave Eiffel, the statue was a gift from France to America. To build her, Bartholdi chose copper for three practical reasons:

  • Malleability:It could be hammered into elaborate, thin sheets.
  • Weight:Copper is lighter than stone or bronze, making it easier to ship 350 individual pieces across the Atlantic.
  • Durability:It was strong enough to survive a 27-day ocean voyage and the harsh winds of the harbor.

When she was unveiled on October 28, 1886, her skin—made of 300 copper sheets roughly the thickness of two pennies—shone with a bright, metallic brown luster. The transformation from “penny-colored” to “patina-green” wasn’t planned. Bartholdi actually expected the statue to age into a deeper, darker red. However, the unique environment of New York Harbor—a mix of salt air, moisture, and industrial pollution—triggered a process called oxidation.

The Timeline of Change:

  1. 1886–1900:The bright copper dulled into a dark, muddy brown.
  2. 1903:The first hints of a light green crust, or “patina,” began to appear.
  3. 1906:The color change was so controversial that Congress nearly stepped in. They appropriated $62,000 to paint the statue back to its original color, but the public protested, calling the idea “sacrilege.”
  4. 1910–1920:The statue was a patchy mix of brown and green until 1920, when the oxidation was complete, leaving her entirely teal.

While we now view the green color as iconic, it actually serves a vital structural purpose. The layer of verdigris (the green patina) acts as a protective shield. It seals the copper underneath, preventing the metal from further corrosion and weathering.  By the time the color fully changed, a new generation of immigrants had arrived in America seeing a green statue.