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DLC Updates its Technical Requirements for LED-Based Horticultural Lighting

William Attardi on March 14, 2025

A new version of the DesignLights Consortium’s (DLC) Horticultural Lighting Technical Requirements released today strengthens efforts to improve the efficacy and quality of LED products used in the controlled environment agriculture (CEA) industry. Taking effect April 18, 2025, the DLC’s new requirements come at a time of burgeoning growth in the CEA sector. Valued at $7.8 billion last year, the global CEA market is expanding at a compound annual growth rate of 12.2 percent and expected to reach $22 billion by 2033, according to a February 2025 market research report. With lighting being the largest operational expense in CEA facilities, there are significant opportunities to increase energy efficiency and cost savings with the right lights. [News] DesignLights Consortium Updates its Technical Requirements for LED-Based Horticultural Lighting – LEDinside

Sollum Technologies and Leaficient Introduce the First Plan-Responsive Dynamic LED Lighting Solution

William Attardi on March 8, 2025

Sollum Technologies and Leaficient are pioneering a breakthrough technology that redefines how LED lighting adapts to plant growth. Today’s traditional lighting strategies rely on Daily Light Integral (DLI) as the primary metric for optimizing plant growth, based on the premise that plants absorb and use light with the same efficiency throughout the day and at all growth stages. However, recent research has shown that plant productivity can change significantly based on a myriad of factors relating to the environment, resources provided and internal biological processes. In response, Sollum and Leaficient are collaborating to develop the first closed-loop, plant-adaptive dynamic lighting system, which adjusts lighting in real time based on plant productivity and growth rates.  [News] Sollum Technologies and Leaficient Introduce the First Plan-Responsive Dynamic LED Lighting Solution – LEDinside

The Statue of Liberty was made with copper but due to oxidation, it turned green.

When the “Lady in the Harbor” first arrived in New York in 1886, she didn’t look like the mint-green icon we know today. In fact, for the first twenty years of her life, she stood as a towering, metallic beacon of reddish-gold. Designed by French sculptor Frédéric Auguste Bartholdi and engineered by Alexandre Gustave Eiffel, the statue was a gift from France to America. To build her, Bartholdi chose copper for three practical reasons:

  • Malleability:It could be hammered into elaborate, thin sheets.
  • Weight:Copper is lighter than stone or bronze, making it easier to ship 350 individual pieces across the Atlantic.
  • Durability:It was strong enough to survive a 27-day ocean voyage and the harsh winds of the harbor.

When she was unveiled on October 28, 1886, her skin—made of 300 copper sheets roughly the thickness of two pennies—shone with a bright, metallic brown luster. The transformation from “penny-colored” to “patina-green” wasn’t planned. Bartholdi actually expected the statue to age into a deeper, darker red. However, the unique environment of New York Harbor—a mix of salt air, moisture, and industrial pollution—triggered a process called oxidation.

The Timeline of Change:

  1. 1886–1900:The bright copper dulled into a dark, muddy brown.
  2. 1903:The first hints of a light green crust, or “patina,” began to appear.
  3. 1906:The color change was so controversial that Congress nearly stepped in. They appropriated $62,000 to paint the statue back to its original color, but the public protested, calling the idea “sacrilege.”
  4. 1910–1920:The statue was a patchy mix of brown and green until 1920, when the oxidation was complete, leaving her entirely teal.

While we now view the green color as iconic, it actually serves a vital structural purpose. The layer of verdigris (the green patina) acts as a protective shield. It seals the copper underneath, preventing the metal from further corrosion and weathering.  By the time the color fully changed, a new generation of immigrants had arrived in America seeing a green statue.