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Signify Launches Brighter Lives, Better World 2030

William Attardi on March 11, 2026

Signify launched Brighter Lives, Better World 2030, a new program designed to expand the reach of impactful, energy and resource-efficient lighting to improve lives, save energy, and preserve resources. The program is supported by new initiatives that support customer sustainability ambitions. Focusing on customers’ most pressing challenges, Brighter Lives, Better World 2030 responds to rising demand for efficient, connected and electrified solutions. Addressing increasing demand for electricity1 and volatile pricing, resource scarcity and the need for healthier, safer, more resilient and livable environments – the program transforms the potential of light into meaningful impact. Progress on Signify’s Brighter Lives, Better World 2030 program will be reported on a quarterly basis, in line with the company’s financial results. Signify Launches Brighter Lives, Better World 2030 – tEDmag

Signify Strengthens Professional Lighting Portfolio

William Attardi on September 16, 2025

Signify, the world leader in lighting, introduces four new products – the Signify SunStay Pro gen2 and SunStay Pro gen2 mini, Signify GreenVision Xceed Pro and Signify Actistar – highlighting the company’s advances in solar and modular streetlighting as well as performance lighting for stadiums.

  • The Signify SunStay Pro gen2 and SunStay Pro gen2 mini will provide customers with an integrated, connected solar streetlight that’s suitable for different applications, from bike paths to campuses and pedestrian areas. The compact model, the Signify SunStay Pro gen2 mini, has been designed for circularity.
  • The Signify GreenVision Xceed Pro is a flexible road and street lighting solution that can adapt to different rural and urban applications. Its durable, modular design makes it easy to maintain and upgrade over time, while delivering excellent energy savings.
  • The Signify ActiStar, an advanced LED floodlight designed for outdoor areas and sports facilities, combines powerful performance with precise light projection control technology.

Home | Signify Company Website

Watch the video: Sunstay Pro – Discover the all-in-one connected solar streetlight

 

Signify Small Track Lighting

William Attardi on November 26, 2024

Lightolier 3D Crown Series Small Track, from Signify’s Genlyte Solutions business was developed for retail, gallery and restaurant applications. The luminaire offers spec-grade performance, with interchangeable optics and accessory compatibility; a sleek, compact design (2-in. aperture) that’s easy to specify; excellent lumen maintenance for more consistency over time; sustainable 3D printing production; and eight different color options (with the possibility to mix and match the rim colors, too) to suit the interior design. The fixtures are made from 55% recyclable polycarbonate and are designed to support circularity at end of life. The Lightolier 3D Crown Series Small Track is scheduled for commercial release on Sept. 27. 3D printed lighting products| Lightolier | Signify

Pepper Production Trials Entering a Fourth Year

William Attardi on November 21, 2024

Signify and the University of British Columbia has announced that their pepper production trial is now entering its fourth year. This trial, which focuses on optimizing dynamic lighting conditions, has delivered insights into how pepper plants respond to artificial lighting throughout the year. 2025 will mark the culmination of this extensive research project. The final results will be presented in a comprehensive whitepaper, which will detail the outcomes of this trial and combine insights from all other pepper trials conducted around the world. By synthesizing this knowledge, Signify aims to provide growers with a definitive guide to optimizing pepper production using LED lighting, ensuring that they can continue to improve yields and quality well into the future. Pepper production trials entering a fourth year – LEDinside

The Statue of Liberty was made with copper but due to oxidation, it turned green.

When the “Lady in the Harbor” first arrived in New York in 1886, she didn’t look like the mint-green icon we know today. In fact, for the first twenty years of her life, she stood as a towering, metallic beacon of reddish-gold. Designed by French sculptor Frédéric Auguste Bartholdi and engineered by Alexandre Gustave Eiffel, the statue was a gift from France to America. To build her, Bartholdi chose copper for three practical reasons:

  • Malleability:It could be hammered into elaborate, thin sheets.
  • Weight:Copper is lighter than stone or bronze, making it easier to ship 350 individual pieces across the Atlantic.
  • Durability:It was strong enough to survive a 27-day ocean voyage and the harsh winds of the harbor.

When she was unveiled on October 28, 1886, her skin—made of 300 copper sheets roughly the thickness of two pennies—shone with a bright, metallic brown luster. The transformation from “penny-colored” to “patina-green” wasn’t planned. Bartholdi actually expected the statue to age into a deeper, darker red. However, the unique environment of New York Harbor—a mix of salt air, moisture, and industrial pollution—triggered a process called oxidation.

The Timeline of Change:

  1. 1886–1900:The bright copper dulled into a dark, muddy brown.
  2. 1903:The first hints of a light green crust, or “patina,” began to appear.
  3. 1906:The color change was so controversial that Congress nearly stepped in. They appropriated $62,000 to paint the statue back to its original color, but the public protested, calling the idea “sacrilege.”
  4. 1910–1920:The statue was a patchy mix of brown and green until 1920, when the oxidation was complete, leaving her entirely teal.

While we now view the green color as iconic, it actually serves a vital structural purpose. The layer of verdigris (the green patina) acts as a protective shield. It seals the copper underneath, preventing the metal from further corrosion and weathering.  By the time the color fully changed, a new generation of immigrants had arrived in America seeing a green statue.